Vintage Analog and Modern Digital Recording
We specialize in sound. We love the sound of analog and tube gear, especially the very "musical" sound of our Trident console,
and the versatile and warm compression of Tube Tech and Urei. This vintage gear has been used over the years to make
some great recordings, and we've added the digital capabilities of 'ProTools and Focusrite
to create a sound that is pristine, organic and timeless.
We not only use great techniques for capturing, shaping and mixing sound, but we teach these techniques as well. Music and film producer Kirk Ryde authored the document "Sound for the Indie Filmmaker" and recently presented a seminar of the same title at the 2018 Action On Film festival in Las Vegas, NV. Contact us to have Kirk present his sound seminar to your own students of sound!
- Trident 24 Console (36x24x24)
- Sony APR-24 analog recording (2" 24 track)
- Pro Tools 10 digital recording
- Focusrite Liquid Saffire 56 interface
- Panasonic SV-3700 digital recorder
- HHB-850 compact disc recorder
- Tannoy SGM-10B monitors
- Yamaha NS-10M monitors
- Auratone 5C monitors
- Bryston and Hafler power amps
- Tube Tech CL-1B tube compressor/limiter
- Tube Tech LCA-2B stereo tube compressor/limiter
- Urei 1176LN peak limiter (vintage black face)
- (2) Urei LA-4 compressor/limiters (vintage black face)
- (2) Urei 7110 compressor/limiters
- (2) dbx 160A compressor/limiters
- (2) Drawmer DS201 stereo noise gates
- Hush IICX stereo noise filter
- Lexicon PCM-70 digital reverb
- Lexicon LXP-1 digital reverb
- (2) Yamaha D-1500 digital delays
- SDR-1000 digital reverb/delay
- dbx 1531P stereo graphic equalizer
- (2) Symetrix parametric equalizers
- Boss CE-300 analog stereo super chorus
- Mics: Neumann U87, U47fet, (2) AKG-414 TL-II, (3) AKG-451, AKG D112, (4) Sennheiser 421, Sennheiser MKH-416, Beyer M88, (4) Shure 57, (3) Shure 58, various others
For rates and bookings please contact: bros@kleerbros.com